I Went Offline for a Week. My Content Team Says It Was Transformative.
My week without screens took eleven days to prepare. Tess, my producer, wanted to get the third morning right.
YouTube lets creators schedule a video to become public at a chosen time. YouTube Help
This was essential to my week without screens. I had reached the stage of exhaustion at which, when a friend asked how I was, I checked what I had most recently said. A cabin beside a lake seemed necessary. My team would stay behind. Someone had to make sure I was away.
We spent eleven days preparing.
I recorded the farewell in an oatmeal sweater, then changed into a blue shirt for a reflection scheduled to appear on the third morning. Tess, my producer, felt that by then I would have begun to notice things. Could I hold a cup with both hands?
For day five, we settled on expansiveness. I found that difficult to convey while the editor was waiting to get into the room, but we got something usable when I took off my glasses.
The hardest video was the one about no longer explaining myself. Tess needed a longer version for the channel.
At the cabin, I handed over my phone. We filmed this twice. In the first take, I had glanced at a notification while saying goodbye to distraction. Tess put the phone in a linen pouch and drove away.
I stood in the kitchen. There was nothing I needed to do with my face.
The next morning, a local camera operator arrived with a printed approval request. A sponsor wanted a small change to my farewell. Its product had helped make the break possible; the revised wording made that clearer. I signed on the bonnet of his car. We agreed that paper was consistent with the experiment.
He left the day's performance figures in an envelope, which I put under a bowl. I knew it was healthier not to look. It was also a good place to leave them until after lunch.
That evening, the lake turned the color of the inside of a shell. I sat on the jetty and felt, for perhaps a minute, that seeing it was sufficient.
The camera operator called down from the path. The knitwear sponsor had clearance for sunset. Would I mind putting the oatmeal sweater back on?
It was in the wash. We tried the blue shirt, but Tess had already established that as morning. By the time the sweater was dry, the light had gone. A lamp was brought down to the jetty so I could react to how naturally everything was unfolding.
On Wednesday I asked for a period of silence that belonged to me. Tess was immediately supportive. She sent back a handwritten note asking how much of it we would need for the launch.
We settled on ninety seconds. I recorded it in the kitchen, with the refrigerator unplugged.
The silence did very well. People said it gave them permission to pause. There were requests for a longer version. I had an hour available on Thursday, though the camera operator said we should bank some for winter.
By then, my team was referring to the person in the videos as my offline self. This had begun as a practical way to distinguish the footage. My offline self was in the blue shirt; I was the person at the kitchen table, waiting to approve a sentence about not waiting for permission.
Gradually, the distinction became useful in other ways. My offline self answered a difficult question with extraordinary grace. It remembered a follower's anniversary. It was photographed reading a book I had been meaning to finish for months, and apparently understood the ending.
I asked Tess whether it was happy.
She said the response had been very positive.
On Friday, it signed an exclusive deal with a maker of blank journals. The photograph showed its hand resting on a page. We had shot that hand in February. I remembered being cold. It looked so certain of what it didn't need to write.
I came home on Sunday. The team had prepared a short presentation about what the week had taught me. I found it moving. There were things in it I would never have thought of on my own.
My offline self had decided to move out.
Tess explained that it needed to protect the space it had discovered. It had found a small house with good light and would be sharing less of its life from now on. The exclusivity agreement made that financially possible.
I was disappointed, but I could hardly object. I had spent the week saying how important it was to set boundaries. We agreed I could keep the older photographs, provided I didn't use them to suggest we were still the same person.
That night, I went for a walk without telling anyone. It rained. I had no particular thoughts. When I got home, there was a message from my offline self's agent asking me to stop wearing the oatmeal sweater.
Factual versus fictional: The linked YouTube help page supports scheduled video publication only. The narrator, team, retreat, endorsements, dialogue and independent “offline self” are invented. No real creator or sponsor is depicted.
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